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Universal
Fire Circle Alchemy By Jeff Magnus McBride and Abigail
Spinner McBride "Alchemy is the gentle acceleration
of growth through the use of the fire of nature." --Paracelsus
Since the dawn of time,
human beings have gathered around the fire to make music, to dance, and to weave
magic in the firelight. Alchemy is a paradigm of transformation, using the "fire
of nature" to accelerate growth and change on interior levels. The Alchemical
Fire Circle, grounded in this paradigm, is an evolving ritual form that has been
in a state of refinement for the past sixteen years. Fire Circle Alchemys
fundamental components are comprised of voice, music, movement, and service, which
correspond to the magical elements of air, fire, water and earth, respectively.
The rationale for these correspondences proceeds in a fairly logical fashion.
Hence, voice corresponds with air for the reason that breath is essential to the
production of human sound; similarly, music corresponds with fire, as it is the
music that supplies the circle with its energy. Movements correspondence
with water is an external reflection of the constant motion of the fluids held
within; and service corresponds with earth, given that service is the ever-present
foundation upon which all of the other work rests. Fire
Circle Alchemy rituals include:
1) A Beginning: this is
a time when the entire group of celebrants unites in a collaborative effort to
ensure the mindful creation of the ritual/alchemical container in which the ensuing
magical Work will soon transpire. Most often, this is a task with multiple layers,
accomplished in part by asking community members to create "Prayer Flags,"
strips of fabric which they have the opportunity to adorn with their intentions
or invocations in whichever way they find most appropriate (e.g. language, symbols,
etc.). These prayer flags are then tied onto a cord that has been affixed to long
torches secured to stakes, encircling the ritual area, and thereby forming the
boundary of the vessel. 2) A Middle:
this period is defined by an amalgam of multi-faceted symbiotic relationships,
in the midst of which there is a collective awareness of the planetary influences
on the actions and reactions of the people in the circlea veritable embodiment
of the alchemical metals in solution. 3)
An Ending: as the solar disk begins to rise, there
is a concomitant raising of the energetic vibration of the group, followed by
an interlude of stillness, an intimate pause for reflection, internal and external,
juxtaposed with reverence. It is in this space of conscious group connection that
the suns ascendance is celebrated, a cosmological mirroring of the Gold
that has been created during the ritual process, and a symbolic ending of the
ceremony. Fire
Circle Alchemy is a ritual of transformation derived from a mystical tradition.
Availing ourselves of imagery and processes cognate to those pioneered in early
alchemy laboratories, we embark upon a mythic journey of re-creation, an adoption
of the alchemists Great Work, or Magnum Opus: the Quest for the Philosopher's
Stone. The
Quest is a pilgrimage from the prima materia to the quintessenceto that
which transforms all it touches to gold. When we realize that we ourselves are
the prima materia, or primal matter, we can willfully endeavor to proceed through
the stages of refinement that empower us to become living, breathing forms of
the Philosopher's Stone- vessels of Divinity, with the re-collected capacity
to transmute all that we touch to gold. Alchemy is a formula for the spiritualization
of matter, effecting all of our actions and interactions to exist as spiritual
acts. We consider each of the operations involved in bringing forth this ritual
to be a meditation, essentially imbued with the potential to deliver countless
spiritual lessons. There are no mundane undertakings. Every stone that is set
in the fire circle, and every torch that is filled and placed, can be approached
with sincere mindfulness. Fire
Circle Alchemy is a ritual composition conducted with fluidity copious enough
to embrace, encourage, and inspirit spontaneous expression, and as such it is
also an unbounded and eternal experiment, one in which mutual creation is delivered
from the celebration and discovery of each other. Emerging from this venture is
a ceremonial union of opposites, a mélange of formal structure, artful
improvisation, and inspired spiritual offerings. Although the lineage of the Alchemical
Fire Circle can be traced back to pagan gatherings, it has evolved beyond the
conventions of its origin, for it is an approach that welcomes all modes of life-affirming
spirituality. In
order to maximize the elegant flow of the experiment, there are a number of fundamental
details that must be addressed, starting with set-up of the ritual container and
gathering of materials. If the ensuing magic is slated to take place outdoors,
this work is comprised of gathering wood for the fire, assembling and positioning
benches for the musicians, ensconcing tiki torches for illumination, supplying
water bottles to facilitate hydration, preparing a food area for sustenance, constructing
a welcome portal or gate to encourage conscious entry to the vessel, and organizing
a rattle altar, upon which shakers and other small percussion toys are made available
to all celebrants for use throughout the duration of the rite. If you are indoors,
it can be as simple as clearing the middle of the room, turning off the phones,
lighting a few candles in the center, and cleansing the area with incense or sage.
The ceremony
begins with connection, by way of the physical linking of hands, the emotional
meeting of eyes, the mental contact of naming, and, periodically, by the spiritual
correspondence of invocation through expression of ritual intentions. This initial
interlacing of essence is attentively followed by a circle casting (See note #1)
Our magic
circle, or alchemical vessel, if you will, is formulated from a conglomeration
of hands, hearts, minds and spirits, interwoven through music, chant, spoken word,
and movement. There is no pre-scribed liturgy or pre-rehearsed form. By re-solving
ourselves to dis-covering each other within the mystery of sustained, mindful
engagement, and by consciously choosing to cross the threshold into the collaborative
process of introducing, inventing, spinning and galvanizing spontaneously emerging
themes, celebrants are empowered to witness and nurture each other's creativity,
beauty, process and art, thus becoming a harmony of communal inspiration, as we
dance through the alchemical stages from darkness into light.
Every Alchemical Fire Circle
is unique & inimitable. To be clear, because the process unfolds extemporaneously,
it is never exactly the same, although there are apparent similarities in the
pattern. For instance, a fire-lighting ceremony of some nature invariably occurs,
along with an opening ritual that consistently stimulates and fuels a thematically
aligned chant... for example, on an evening when grandmothers have been called
upon to light the fire, the group might be motivated to sing "There is an
old woman who weaves the night sky, watch her spinning wheel, watch her fingers
fly. She weaves within us, beginning to end, our grandmother, our sister, our
friend. She changes everything she touches and everything she touches changes..."
(See note #2) These words could then conceivably evolve into music and movement
that echoes their sentiments, gradually becoming motion that intimates spinning,
thus sparking someone else to offer a spoken word piece about web-weaving, and,
in turn, awakening a new voice to call out, "Weavers, weavers, we are weaving
the web of life...", (see note #3) another chant which would, in all probability,
ripen into a related but divergent theme.... and on the circle turns, all the
way to illumination. When we consciously observe and attend to what is actually
happening in the circle, finding our inspiration and improvisational directions
from each other while staying mindfully engaged in the process, we deepen into
discovery of ourselves, our relationships, and our community.
We arrive at a juncture
of metaphorical and literal portent in our quest when the golden rays from above
converge with our golden hearts below. The advent of the sun is frequently celebrated
by a period of sustained silence and tranquility, a time set aside for group meditation
on the very essence of this life-sustaining orb. Upon consummation of this tacit
operation, we customarily conclude with solar adorations and prayers of thanksgiving
(See note #4), after which there is a unique opportunity to reconnect as an altared
group, hand to hand and heart to heart. In this expanse of intimacy, heartfelt
offerings and requests are often decanted
and then the circle is opened.
The
Alchemical Fire Circle process is commonly repeated for three successive nights,
with each amplifying and forging upon the previous, and accordingly giving rise
to a morning filled with progressively more gold. Following sunrise on the final
morning of the opus, we share in a supreme release of all energies summoned and
invoked in service to our working, at which point the process of dismantling the
physical container of the Fire Circle and related installations (such as an Ancestors
Altar or other distinctive shrines and temples envisioned and manifested by the
community) is initiated and completed as a community project. People are encouraged
to gather a small quantity of ashes from the ritual fire before their departure,
to be used in personal magical efforts as an energy-rich touchstone, as well as
a tangible reminder of the procession and recession of all things. Frequently,
ashes are taken from one fire and used to seed other fires a way of symbolically
blending and connecting magical workings from around the globe. The
Alchemical Fire Circle Architecture and Orbits
One relatively universal
way of understanding the composition of the Alchemical Fire Circle is by correlating
the pathways of movement with the planetary orbits and their mythology. This model
is an archetypal mirror of our solar system, and our dance is a recreation of
the great cosmic dance of life.

A précis:
The fire in the center of the vessel is representative
of the Sun, the source of energy, heat, light, and transformation. The metal that
corresponds with Sol is Gold -- Attainment. Wisdom. Self-realization. Often seen
in perennial members of the community as they channel the energy of the circle,
the Sun corresponds with our seventh chakra, the crown, and the foremost connection
to Source. It
is common knowledge that numerous planets have moons. In our Fire Circle tradition,
the Moon is associated with the Priest/ess currentnurturing, serving, assisting,
and maintaining gravitational balance in any of the planetary orbits. The metal
of the Moon is silver, and it corresponds with the sixth chakra, inner vision,
intuition and dreaming.
The closest dance path circling the fire is
the Mercury track. It is the fleet footed inner ring of movement. Dancers in this
orbit are generally quite energized and active, like Quicksilver, the planet Mercurys
metallic match. Mercury represents a gas that rises and falls, and in addition,
is also the mediator and messenger, related to clear communication, the fifth
chakra, and the throat.
The Venus track is an intermediate path. This
is an orbit of relationship in motion, with self and others. It is not uncommon
for people engaging in this ring of planetary dance to be in light trance, attuned
to the sensuality of movement, song and rhythm. The metal of Venus is Copper,
which is dynamic and volatile. In our paradigm, Venus relates to the fourth chakra
and the energies of the heart.
The Earth track, demarcated by corn-meal or
flour, is a slow and deliberate moving orbit, for those in deep trance, doing
rattle work, or personal grounding.
Defined by the interior ring of torches, the
Mars track is a place to witness and consciously contribute to the creation of
the transformational container. People regularly stand in this area with small
rattles, providing sonic guardianship and energetic support for others who are
active within the inner orbits. The metal of Mars is iron, and the energetic correspondence
is one of warrior energy, martial and protective. Disciplined will and third chakra
are connected to Mars.
Between the two torch rings is the Jupiter track,
an area for interactions with others that are not suited to take place within
the ever-moving circles of dance. In contrast to participating in idle chatter,
people here can be seen feeding or watering each other, breathing together, hugging
or rubbing shoulders. Not really a "social" zone, it is rather a place
for conscious encounters of a stationary nature. The metal of Jupiter is Tin,
which is a malleable metal, related to blending and balancing of energies as well
as to the second chakra.
The ring of Saturn is delineated by the internal
perimeter of the circle, including the prayer flags on the outer torch ring, the
woodpile, and, occasionally, altars or shrines. The metal of Saturn is Lead, representing
heavy, intense energy; power that needs to be purified, first chakra,
survival instinct, and fight-or-flight response all connect here.
On the exterior side of the fire circle perimeter
is the "comet's trail," a path for walking meditation which allows those
individuals seeking solitude to stay engaged and involved in the energy of the
fire circle if it is their will.
By conscientious consideration of this majestic
cosmic dance, we can awaken into greater and greater awareness of the diverse
elements and archetypes interacting within the vessel, and ultimately within the
universe. Inner Alchemy at the Fire Circle
At
the Fire Circle as in life, we each carry around our own quandaries and calamities,
material that often nurtures impediments or blocks that perpetuate
unsavory patterns of stagnation. These internal obstructions can be visualized
as literal blocks of salt, a substance that is not only alchemically symbolic,
but also long recognized for its ability to preserve. This being said, on a more
cerebral level, salt can be linked to the preservation of memories, while on the
affective plain it is appropriately associated with the preservation of feelings.
These languished memories and feelings, whether we are conscious of them or not,
become a platform for the emergence, reappearance, recurrence, and re-enactment
of dramas with analogous mythopoetic foundations. Thus salt is in fact a metonymy
for that which sustains us in futile and ineffective cognitive and behavioral
processes. Enveloped
in the pervasive intensity of the alchemical vessel, immersed in the inter-activity
of drum, dance, chant, and creative play, absorbed in the profundity of trance,
blocks get stimulated and dislodged organically. When a particular threshold is
attained, the sulfur, or energetic heat released by the Fire, together with the
fervor of drumming and movement, triggers a symbolic liquefaction of the salt
within. This natural element of the alchemical progression is embodied through
perspiration and tears, a corporeal expression of the mental and spiritual liberation
it signifies. The emotional overflowing and experience of soul-stirring sensation
that accompanies this literal brimming over of the personal vessel has consistently
been referred to as "popping," but we a render a perceptual distinction
by considering it more incisively, as a release, which leads to real ease. Real
ease in life is what truly empowers our connections to Spirit, to ourselves, and
to each other to flourish and thrive.
By accepting
the challenge of navigating through these processes and committing to the ordeal,
we are inherently provided with the blueprint for illumination in the truest sense....
not guru-sitting-on-a-pillow illumination, but shedding-new-light-on-our-lives
illumination. The
Fire Circle is a microcosm for the macrocosm of our aggregate existence, and,
therefore, any core issue or challenge we encounter in our daily life will ineluctably
be activated and echoed within the vessel. As we encounter and sometimes collide
with these issues, it is our ability to negotiate the situation inside the Circle,
while remaining engaged in the process, which affords us the prospect and probability
of returning to a daily life where these matters no longer activate us. The magic
we co-create in the sacred container, through sustained engagement, ripples out
exponentially into the rest of our lives, for the highest good. The mightier our
ability to remain engaged in the Fire Circle process, the richer and fuller our
experience becomes, a truth that is mirrored in the greater mystery of life. Though
it can be challenging to stay fully committed to the creative process from midnight,
or earlier, until after sunrise, it is specifically this kind of initiatory, inventive
ordeal, virtually unheard of in our culture, that furnishes us with the utmost
opportunity for personal and collective growth.
Working
with Prima Materia
When issues come up, friends often say, "What's
the matter?" So, let us examine the "first matter," or Prima Materia,
of alchemy, which is referred to interchangeably in alchemical texts and literature
as darkness, chaos, excrement or lead. It is precisely this material, which many
of us speciously dismiss as useless, insignificant, bothersome, and even infuriating,
from whence the final golden product is derived. To transform lead into gold,
or to spiritualize matter, alchemists, and likewise, we at the Fire, utilize the
following formula: "Solve et Coagula," or dissolve and recombine.
The initiation
into the Great Work of Alchemy involves first the application of heat, and subsequently
the addition of water to catalyze the dissolving, melting, and liquefying of the
first matter. In his alchemical writings, Carl Jung characterized this period
as "breaking down the boundaries of the ego, and allowing the chaotic material
of the unconscious to pour forth where it can be inspected by consciousness."
In this sense, the alchemical expression, Solve, quite accurately
describes the initial interactions with self and others that take place in the
early hours of the Fire Circleinteractions that reflect the softening of
personal and group boundaries, and the opening of hearts.
The second half of the alchemical idiom guiding
the Fire Circle ritual is "Coagula," literally coagulate,
an expression that denotes a re-assimilation with self, others, and refined understanding.
In terms of the alchemical process, this is the reunification that occurs after
the purifying stage of distillation. In life, we can observe this corollary of
the Work through our integration of the lessons and experiences we have had around
the fire into our community relations and through our ability to further assimilate
them into the orbit of our daily lives, in our much grander circle around the
fire of the sun. The Alchemical Process
During the course of an all-night fire, as well
as a fire circle succession, time periods with distinct energetic signatures are
clearly discernable; three comprehensive periods, along with their constituent
components, are alchemically referenced as follows: NIGREDO:
The Latin
term for the first phase of the alchemical process is Nigredo, meaningthe
blackening. In the laboratory, this is the phase where the "Prima Materia,"
or first matter, is placed into a container and burned to ash, then dissolved
to produce a suspension. Within the fire circle, Nigredo is evidenced as a vast
expanse of chaotic, often frenetic activityfrom the arrival and acclimation
of celebrants, to the excitement of the fire-lighting ceremony, to highly energized
dancing. On a personal or transformational level, this is a time when we "burn
away and dissolve" whatever stands between us and the Divine. The three stages
of alchemy encompassed by the Nigredo phase are:
1. Calcination (root
chakra, Saturn, survival): The issue or issues within the physical container are
brought up and heated by the Fire of chanting, drumming, dancing, and other creative
expression.
2. Dissolution (sacral chakra, Jupiter, blending): The issues are
dissolved in the sea of personal and collective emotion. Through sweat and tears,
salt is released from the physical body, as blocks begin to dissolve.
3. Separation (solar plexus chakra, Mars, choosing):
In the alchemists laboratory, this is the stage when the solution is broken
up into its separate components. At the Fire Circle, people begin to sacrifice
whatever Lead they've been carrying into the fire to be transformed. A choice
is made to separate or release from the "issue," (energetic discharge,
more tears, or intense physical movement), and in so doing separate from the things,
which isolate our individual egos from others and Self. At this moment, there
is a transition. ALBEDO:
The Albedo phase, which in more orthodox alchemy
relates to the whitening process, is a time when the matter in the flask is softening
and beginning to purify. Translated to the vernacular of the fire circle, this
phase corresponds to a palpable lightening of the energy; perhaps the drumming
grows quieter, or the songs and chants move to a place of more richness and depth,
or the dancing becomes more lyrical. Coincidentally, this is often the time when
the sky begins to grow light. The above and the below are united in the heart,
resulting in a vibration of increased purity and strength. The three stages of
the alchemical process that comprise the Albedo phase are:
4. Conjunction
(heart chakra/Venus, joining together through love): The shift to Albedo, the
white, soft stage of the Work. This step represents the coming together of Self
and ego, soul and spirit, or the individual and the community. An important step;
often it gives us a deeper understanding of our Higher Self in contrast to our
ego. At the Fire Circle, deeper connections are forged between the person releasing
and the other celebrants who witness, receive or catch the energy and assist gently
through the process.
5. Fermentation (throat chakra/Mercury, speaking):
In Alchemy, fermentation is the process of refining, skimming the crud that rises
to the surface, to find a purer solution. We have had the experience of burning,
dissolving, separating, and joining together. Now, we are speaking our truth and
separating the subtle from the gross as we continue to refine.
6. Distillation (third eye chakra, Moon, introspective
visioning): At this stage of the Work, we have a pure, refined "solution."
We gain insight and understanding by "processing" our issues through
the alchemical laboratory that is our body. By contemplating the past, while being
engaged in the present, we can now make informed choices about how to move and
interact at the Fire, and out in the world in the future. RUBEDO:
The culminating
phase of the alchemical process is called Rubedo, meaning the
reddening, an expression which, within the confines of a conventional laboratory,
indicates the materials conversion to a red tint, and presages its
transformation to gold. In the tradition of Fire Circle Alchemy this can be equated
with the sunrise itself. Of this mystery, few words can be said. The stage that
corresponds with the rubedo is:
7. Coagulation (crown chakra, Sun, illuminating): This begins
the phase of Rubedo, the period in which our spiritual gold is realized. This
is the stage of consciously connecting with Spirit, releasing the light within
matter, and releasing the boundaries between inner and outer experience. We bring
our fresh insights and knowledge into the world, moment by moment, remaining in
the flow. We connect with our highest selves, connect with Divinity, and with
the Earth. Also at this stage, we experience an accelerated rate of synchronicities.
At this
point in the alchemical work, we re-enter the fire of community, with our hearts
connected, and our minds set free. As we continue the practice in the circle of
life, new issues will inevitably arise within us, and the refining process will
begin again. Both
the physical laboratory of the alchemist and the virtual laboratory of the fire
circle are very much like the laboratory of the body. Each is in a perpetual state
of evolution: processing blocks, pushing boundaries, and, as the Hermetica states,
separating the subtle from the gross, gently and with great ingenuity."
Fire Circle
Alchemy is not inevitably bound by temporal or spatial constraints. This is to
say that an Alchemical Fire Circle ritual is by no means obliged to persist until
dawn, nor is it requisite that it manifest outdoors. A group of three or more
friends gathered together with common intent can converge upon this application
for a period of a few hours to generate a genuinely magical experience. In contrast,
this ritual format has also proven exceedingly effective for groups of several
hundred, drumming, singing and dancing all night long, until sunrise and beyond.
We encourage you to experiment, for you are the alchemists!
 
(For
a more elaborate description of the phases and stages of the alchemical process,
consult The Emerald Tablet, by D.W. Hauck) Note #1 Circle Casting by
Abbi Spinner McBride Behold there is magic all around us (x3) Awaken,
rejoice and sing! (chorus repeated after each verse) I am the Air around
you I am the breath of life within you I am the wind blowing through you I
am all that I am I am the Fire around you I am the spark of life within
you I am the flame burning through you I am all that I am I am the Water
around you I am the pulse of life within you I am the ocean flowing through
you I am all that I am I am the Earth around you I am the heartbeat
within you I am the ground below you I am all that I am I am Spirit around
you I am divinity within you I am the light shining through you I am
all that I am Note #2 From the songs Changing Woman, by Adele
Getty, and She Changes Everything She Touches, by Starhawk, Circle of
Song, p. 107-109 Note #3 Weavers chant, written by
Deirdre Pulgram Arthen Note #4 Solar Adoration, by Katlyn Breene The
Sun rises We lift our hands unto it To be re-born, like the day Golden
rays pierce our hearts Like arrows of light, dispelling illusion, releasing
the night Solar alchemy, filling each cell of our bodies transforming,
transmuting Lead into purest Gold As above, so below, the Sun sees
itself in the Fire In each other, we see God. For more information
on Fire Circle Alchemy, go to: http://www.vegasvortex.com http://www.firetribehawaii.org http://www.4qf.org/_FiresRising/ http://www.vegasvortex.com/magicfirecircle/homepage.htm http://www.bardobrothers.com/rap.php
Special thanks to Nicolle Cristiani for assistance in editing and re-writing. Thanks
also to Eugene Burger, Michael Wall and Marthajoy Aft.
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